{"title":"Cassette","description":"","products":[{"product_id":"super-unison-auto","title":"Super Unison \"Auto\"","description":"\u003cp\u003eOakland, CA trio Super Unison features Meghan O’Neil Pennie (formerly of PUNCH) on bass and vocals, Justin Renninger (formerly of Snowing) on drums, and Kevin DeFranco on guitar. Formed in 2014, they released a self-titled EP on vinyl and cassette formats soon after. The EP was incredibly well-received and praised by publications far and wide, from Rolling Stone to Brooklyn Vegan. The band toured the western portion of the USA following the EP’s release, which included shows with Shook Ones, Self Defense Family, Coliseum, Dogs on Acid and more. As veterans of the Bay Area scene and beyond, Super Unison have become known for their incendiary live show in their relatively short time as a band thus far.\u003cbr\u003e\u003cbr\u003eSuper Unison have partnered with Deathwish to release their new album, “Auto”. The album was recorded at Atomic Garden Studios by Jack Shirley (Oathbreaker, Deafheaven, Loma Prieta). Like their self-titled EP, Super Unison’s latest offering is concise and intense with most frantic songs coming in at the two minute mark. Within “Auto”, Super Unison introduce a wash of discordant melody and texture into the fray. Keeping things fast paced and smartly aggressive at every twist and turn.\u003cbr\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003e01. Prove Yourself\u003cbr\u003e02. Keeper\u003cbr\u003e03. Losing You\u003cbr\u003e04. You Don't Tell Me\u003cbr\u003e05. Luxury\u003cbr\u003e06. Time \u0026amp; Distance\u003cbr\u003e07. Muted\u003cbr\u003e08. Broken\u003cbr\u003e09. What Are You Going To Do\u003cbr\u003e10. Don't Look Up\u003cbr\u003e11. Everything\u003cbr\u003e12. Auto\u003c\/p\u003e\n\u003cp\u003eFirst Press:\u003cbr\u003e299 - Black \/ Pink Mix (Band Exclusive)\u003cbr\u003e493 - Pink \/ White \/ Pink Striped (Deathwish Store Exclusive)\u003cbr\u003e995 - Pink (Indie Store Exclusive)\u003cbr\u003e\u003cbr\u003e525 - Black\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/FHnaFfB5te4\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Deathwish","offers":[{"title":"LP - Pink \/ Black Mix (Tour Exclusive)","offer_id":43924944945323,"sku":"DW195v-1","price":14.99,"currency_code":"USD","in_stock":true},{"title":"LP - Pink","offer_id":42260870004907,"sku":"DW195v-INDIE","price":14.99,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":30458708292,"sku":"DW195cs","price":7.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":30458708228,"sku":"DW195","price":4.99,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":2127041921052,"sku":"DW195DS","price":7.99,"currency_code":"USD","in_stock":true},{"title":"LP - Pink \/ White \/ Pink Striped","offer_id":30458708100,"sku":"DW195v","price":14.99,"currency_code":"USD","in_stock":false},{"title":"LP - Black","offer_id":30458708164,"sku":"DW195v","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1528\/8689\/products\/minisuperunisonauto1800px.png?v=1475676704"},{"product_id":"planes-mistaken-for-stars-prey","title":"Planes Mistaken For Stars \"Prey\"","description":"\u003cp\u003ePlanes Mistaken For Stars formed in Peoria, Illinois in 1997, and relocated to Denver Colorado in 1999. From the outset, they were an artistic anomaly; carrying both a worn rust belt heart and a warm midwestern soul. Collectively they combined different kinds of musical rebellion; hardcore aggression, punk energy, and gritty rock n’ roll spirit into their own special noise. Ultimately laying the blueprint for today’s emotional punk rock resurgence.\u003c\/p\u003e\n\u003cp\u003e\"Prey\" is the long awaited new album from Planes Mistaken For Stars. Produced and engineered by Sanford Parker (Wovenhand, Leviathan, Yob), \"Prey\" is a beautifully haunting return to form. In need of isolation to finish writing the album, founder Gared O’Donnell took to the road alone. Instead of finding a predictable muse, he found himself driving deep into the crumbling heart of middle America. There, Gared took up residence in decrepit motels, finding inspiration in the descending darkness surrounding him.\u003c\/p\u003e\n\u003cp\u003eChaotic opener \"Dementia Americana\" serves as a rude awakening with the lyrical crescendo of \"Wake Up!\" being shouted over and over again. It's as if the creators are fighting to emerge from the eternal tumble of a nightmare. From there, the next five songs are seemingly instant Planes Mistaken For Stars classics; \"Til' It Clicks\", \"Riot Season\", \"F*cking Tenderness\", \"She Who Steps\", and \"Clean Up Mean\". All of them are multi-layered, melodic, and infectious in a way that only they can be. These lead to the touching \"Black Rabbit\"; a stark acoustic number that shows Gared at his most vulnerable. \"Pan In Flames\" and \"Enemy Blinds\" then creep into view. Two powerful songs explore almost apocalyptic musical territory. These usher in the jaw dropping closer \"Alabaster Cello\" which ends with the lyrical mantra of \"Now We Wake...\". Signaling that the figurative slumber is over for this off kilter and brilliant cult status band.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003e01. Dementia Americana \u003cbr\u003e02. Til' It Clicks\u003cbr\u003e03. Riot Season\u003cbr\u003e04. Fucking Tenderness\u003cbr\u003e05. She Who Steps\u003cbr\u003e06. Clean Up Mean\u003cbr\u003e07. Black Rabbit\u003cbr\u003e08. Pan In Flames\u003cbr\u003e09. Enemy Blinds\u003cbr\u003e10. Alabaster Cello\u003c\/p\u003e\n\u003cp\u003eFirst Press:\u003cbr\u003e306 - Blue in Beer Color in Color (Deathwish Store Exclusive)\u003cbr\u003e320 - Pink \/ Brown Mix (Deathwish Europe Exclusive)\u003cbr\u003e1032 - Beer (Indie Store Exclusive)\u003cbr\u003e2085 - Magenta\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"LP - Pink \/ Brown Mix","offer_id":42260901626027,"sku":"DW193v-1","price":24.99,"currency_code":"USD","in_stock":true},{"title":"LP - Magenta","offer_id":30460191428,"sku":"DW193v","price":24.99,"currency_code":"USD","in_stock":true},{"title":"LP - Beer","offer_id":52147409289588,"sku":"DW193v-2","price":24.99,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":30460191492,"sku":"DW193","price":9.99,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":30460191620,"sku":"DW193cs","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1528\/8689\/products\/minipmfsprey1800.png?v=1484160827"},{"product_id":"frameworks-smother","title":"Frameworks \"Smother\"","description":"\u003cp\u003eSince their 2011 inception, Gainesville's Frameworks have become a favorite of many in the emotional hardcore scene. Creating music in the vein of Touché Amore, Explosions in the Sky, Modern Life Is War, and other uniquely powerful artists. \u003c\/p\u003e\n\u003cspan\u003e\"Smother\" is the highly anticipated sophomore album from Frameworks, and their first for the Deathwish label. The album was recorded by Matt McClellan (Being As An Ocean, O’ Brother, etc) at Glow In The Dark Studios and mastered by Brad Boatright (Converge, Self Defense Family, etc) at Audiosiege Mastering. \"Smother\" as a whole is a massive leap forward for Frameworks. The album dynamically pulses with hook-laden melodious riffs and moving emotional crescendos. All of it gushing with a rare creative beauty and maturity that will appeal to listeners from all corners of the underground music world.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eTrack Listing: \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Fear of Missing Out\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Smother\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Peculiar People\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Purge\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Song of Myself\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Tinnitus\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Marathon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Interlude\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Trite\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Tangled\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. The New Narcissistic American Dream\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eFirst Press:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e299 - Black\/White\/Light Yellow mix\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e295 - Cream\/Black split\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e283 - Light Yellow\/Black mix\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2093 - White\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/48SjXLRA5SY\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Deathwish","offers":[{"title":"LP - White","offer_id":30460401476,"sku":"DW190v","price":14.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":30460401540,"sku":"DW190","price":4.99,"currency_code":"USD","in_stock":true},{"title":"CD - Box Lot (30)","offer_id":42040779014315,"sku":"DW190-BOXLOT","price":14.99,"currency_code":"USD","in_stock":false},{"title":"Cassette","offer_id":30460401604,"sku":"DW190cs","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1528\/8689\/products\/miniframeworkssmother1800.png?v=1475682735"},{"product_id":"cult-leader-lightless-walk","title":"Cult Leader \"Lightless Walk\"","description":"\u003ch6\u003eThe download option includes audio files available in MP3, WAV and FLAC formats.\u003c\/h6\u003e\n\u003cp\u003eCult Leader are a chaotically aggressive band from Salt Lake City, Utah. \u003cspan\u003e\"Lightless Walk\" was recorded and engineered by Kurt Ballou at God City Studios (Converge, High On Fire). From the first menacing thumps of \"Great I Am\", Cult Leader unleash grinding musical fury. \"The Sorrower\" gallops before crashing into a wall of heaviness as they vocally declare \"...nothing will get better\". The pessimistic spiral continues in \"Sympathetic\" and \"Suffer Louder\", two tangles of cacophony that give birth to crushers of ending riffs. \"Broken Blades\" then emerges as a near constant barrage, showcasing the technical prowess thriving underneath Cult Leader’s layers of grime. While \"A Good Life\" ushers in new dynamics, clawing through melodious dirt before taking flight again. \"Walking Wastelands\", \"Gutter Gods\", and \"Hate Offering\" are all metallic monsters in their own right, lurching towards the epically haunting pairing of \"How Deep It Runs\" and \"Lightless Walk\". Two songs that show Cult Leader at their most depressive and powerful as they recede into introspective darkness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eTrack Listing:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Great I Am\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. The Sorrower\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Sympathetic \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Suffer Louder \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Broken Blades\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. A Good Life \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Walking Wastelands\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Gutter Gods\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Hate Offering\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. How Deep It Runs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Lightless Walk\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFirst Press:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e311 - White\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e726 - Dark Red\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1006 - Clear\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSecond Press:\u003cbr\u003e514 - Oxblood \/ Clear Mix\u003cbr\u003e510 - Black\u003c\/span\u003e\u003c\/p\u003e","brand":"Deathwish","offers":[{"title":"LP - Silver","offer_id":42586368540843,"sku":"DW183v-1","price":24.99,"currency_code":"USD","in_stock":true},{"title":"Cassette - White","offer_id":30460623940,"sku":"DW183cs","price":7.99,"currency_code":"USD","in_stock":false},{"title":"Download","offer_id":42586475298987,"sku":"DW183DS","price":7.99,"currency_code":"USD","in_stock":true},{"title":"LP - Black","offer_id":5491087835170,"sku":"DW183v","price":24.99,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":30460623876,"sku":"DW183","price":9.99,"currency_code":"USD","in_stock":false},{"title":"Cassette - Black","offer_id":41529732595883,"sku":"DW183cs","price":7.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1528\/8689\/products\/minicllightlesswalkhi.png?v=1552321162"},{"product_id":"loma-prieta-self-portrait","title":"Loma Prieta \"Self Portrait\"","description":"\"Self Portrait\" is a ten song masterwork from Loma Prieta. It was recorded by engineer Jack Shirley at The Atomic Garden Recording Studio (Deafheaven). Opener \"Love\" layers unorthodox melodies amid a tangle of pensive, despondent vocals. These humanly complex qualities loudly bleed into every aspect of the album. Driven by feedback drenched guitar work \"Black Square\", \"Roadside Cross\", \"Net Gain\", and \"More Perfect\" all effortlessly veer from one post everything sub-genre to the next. Leading to the beautifully skewed \"Nostalgia\", a song that creeps from the haze with dark harmonic leanings. \"Never Remember\", \"Merciless\", and \"Rings\" venture down a similar crash and bang path before closer \"Satellite\" takes flight. An emotional epic that delves deep into introspection before finding total sonic obliteration.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack Listing:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Love\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Black Square\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Roadside Cross\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Net Gain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. More Perfect\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Nostalgia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Never Remember\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Merciless\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Rings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Satellite\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFirst Press:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e311 - Clear\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e716 - Opaque Red\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2096 - White\u003c\/span\u003e \u003c!-- split --\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rYGHS_sLeOw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Deathwish","offers":[{"title":"LP - Red","offer_id":32496578003018,"sku":"DW182v","price":24.99,"currency_code":"USD","in_stock":false},{"title":"LP - White","offer_id":30460695556,"sku":"DW182v","price":24.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":30460695620,"sku":"DW182","price":4.99,"currency_code":"USD","in_stock":true},{"title":"CD - Box Lot (30)","offer_id":42040748933291,"sku":"DW182-BOXLOT","price":14.99,"currency_code":"USD","in_stock":false},{"title":"Cassette","offer_id":30460695812,"sku":"DW182cs","price":7.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1528\/8689\/products\/minilomalphi.png?v=1475684425"},{"product_id":"self-defense-family-heaven-is-earth","title":"Self Defense Family \"Heaven Is Earth\"","description":"Self Defense Family are one of the most prolific Punk bands out there today. Through countless releases and as many musical contributors (they have had more than ten active members at any given time), the collective has grown in both sound and vision. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Heaven Is Earth” was recorded at four classic indie\/punk studios by a diverse group of engineers: Will Killingsworth at Dead Air Studios (Mind Eraser), Kurt Ballou at God City Studios (Converge), Mark Millar at Sone Lab (Dinosaur Jr.), and Jon Low at Miner Street Recordings (Kurt Vile). Each engineer leaving their own distinct audio fingerprint on the collection of songs. \u003c\/span\u003e\u003cspan\u003eOpener “In My Defense Self Me Defend” percussively wanders as warped guitars weave a pillow for Patrick Kindlon’s introspective prose.“Talia” introduces both piano and harmonica to the formula, all of it swirling and dancing around a throbbing bass line. “Ditko” exists in a similar sonic place as well, but utilizes textural guitars and subtle effects to set the pensive mood. It’s not all sad clown music though. “Prison Ring” picks things up in the middle of the album with a Mekons like urgency. While “Everybody Wants a Prize for Feeling” welcomes a whimsical stomp akin to The Fall. These reluctantly upbeat songs lead to the title track “Heaven Is Earth”. A song that descends with a delicate airiness while dealing out some of the heaviest moments of lyrical personal reflection. “Basic Skills” fills a similar space as well. A beautiful construct of a song, rich in melancholia but built on some of the most memorable melody ever from the band. Never leaving quietly, Self Defense Family then offer the closer “Dave Sim”. Kicking the door open for one last high volume, pessimistic hurrah.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack Listing:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. In My Defens Self Me Defend\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Talia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Prison Ring\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Ditko\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Everybody Wants A Prize For Feeling\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Heaven Is Earth\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Basic Skills\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Dave Sim\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFirst Press: \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e315 - Black In White\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e700 - White\/Silver mix\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2100 - Clear\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e500 - Cassette\u003c\/span\u003e \u003c!-- split --\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8eN5rsDN90E\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Deathwish","offers":[{"title":"LP - White\/Silver Mix","offer_id":30460897540,"sku":"DW170v","price":24.99,"currency_code":"USD","in_stock":false},{"title":"LP - Clear","offer_id":30460897604,"sku":"DW170v","price":24.99,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":30460897668,"sku":"DW170","price":9.99,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":30460897732,"sku":"DW170cs","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1528\/8689\/products\/minisdfheavenisearthhi.png?v=1475685469"},{"product_id":"bitter-end-illusions-of-dominance","title":"Bitter End \"Illusions Of Dominance\"","description":" \n        \u003c!--Start tab labels--\u003e\n        \u003cul class=\"tabs\"\u003e\n          \u003cli\u003e\n            \u003ca class=\"active\" href=\"#tab1\"\u003e\n              \n                Description\n            \u003c\/a\u003e\n          \u003c\/li\u003e\n          \u003cli\u003e\n            \u003ca href=\"#tab2\" class=\"\"\u003e\n              \n                Pressing Info\n            \u003c\/a\u003e\n          \u003c\/li\u003e\n          \u003cli\u003e\n            \u003ca href=\"#tab3\" class=\"\"\u003e\n              \n            \u003c\/a\u003e\n          \u003c\/li\u003e\n        \u003c\/ul\u003e\n        \u003c!--Start tab content--\u003e\n        \u003cul class=\"tabs-content\"\u003e\n          \u003cli class=\"active\" id=\"tab1\" style=\"display: block;\"\u003e\n            \u003cdiv\u003e\n            \u003cp\u003e\"Illusions of Dominance\" was recorded and produced by Nick Jett (Terror, Piece By Piece). Thematically the album takes on the subject of mankind’s fragility in the face of nature’s overwhelming and unescapable power.\u003c\/p\u003e\n\u003cp\u003eOpening crossover anthem \"Power and Control\" sets the tone with the potent lyrical statement \"...Hammer coming down with overwhelming force, we’re on a collision course. Power and control, illusions of power and control...\" From there Bitter End's dust storm simply never lets up. Introspection and anger blankets everything in \"Truth, Lies, Fear\", \"Realm of Despair\", \"Long Time Gone\", \"The Crushing Madness\", and \"Conversations with Death\". Each one, writhing and clawing with thrash precision and hardcore aggression. It’s not all speed and violence though; songs \"Sting of Betrayal\", \"Pleasure and Pain\", \"Into the Unknown\", and closer \"No Man’s Land\" choose to churn at a slower rpm but are just as lethal. Opting to let their hybrid hardcore\/metal heaviness shine through the eye of the storm with mid-tempo battery and epic breakdowns.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrack Listing:\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-style: normal;\"\u003e01. Power and Control\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e02. Truth, Lies, Fear\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e03. Realm of Despair\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e04. Long Time Gone\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e05. The Crushing Madness\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e06. Conversations with Death\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e07. Sting of Betrayal\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal;\"\u003e08. 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Successfully melding progressive musicianship, hardcore fervor, and vital social awareness into one constantly evolving artistic vision.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Anxiety’s Kiss” is the latest album from Coliseum, recorded at The Magpie Cage by producer\/engineer J. Robbins (Jawbox, Burning Airlines). “Anxiety’s Kiss” is a hook-laden maturation of the Coliseum sound. Nods to their early D-Beat leanings are there, but it is their willingness to embrace Post-Punk melody and explore the space between notes that make “Anxiety’s Kiss” so alluring. Confidently growing within the punk world, without ever leaving it behind.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“We Are The Water” kicks things off with a synth-driven stomp while lyrically serving as a poignant social awakening and call for human empathy. Amidst a tangle and twang of melody, “Course Correction” and “Wrong\/Goodbye” then emerge to tackle the ripe subjects of class division and police brutality. “Drums \u0026amp; Amplifiers” picks up pace, taking on those who reflect on their punk past rather than absorb the spirit that still charges the air around us. It’s not all social and subcultural commentary though. The dizzying “Dark Light Of Seduction” and sultry “Sharp Fangs, Pale Flesh” (where J. Robbins guests performing the BulBul Tarang) are darkly provocative narratives about the power of lust and love. In soul and tone, they both interject an emotional underbelly to it all. Robbins also adds bass on “Comedown”, an industrial-tinged romp led by Vaziri’s baritone guitar and Wilson’s booming toms. Coincidentally, it is also the first Coliseum song ever recorded to not feature Patterson on guitar. “Sunlight in a Snowstorm” is the band at their most melodic, with a snow-covered New York City as its lyrical backdrop. The high beam lit, cinematic noir of “Driver at Dusk” and infectious, fuzzed-out “Escape Yr Skull” lastly descend to close out the album. A flawless, yin and yang pairing that is Coliseum at the peak of their experimental and anthemic powers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrack Listing:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. We Are The Water\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Course Correction\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Wrong\/Goodbye\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Drums \u0026amp; Amplifiers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Dark Life Of Seduction\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Sharp Fangs, Pale Flesh\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Comedown\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Sunlight In A Snowstorm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. 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The record was made with the same passion and care that is the hallmark of this talented quartet and that fire shows in the music they've created together. ItÍs an album of abrasive and moody hardcore that takes unexpected twists and turns, while always remaining satisfyingly aggressive.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: \u003cbr\u003e 01. Operatic \u003cbr\u003e 02. Bleach \u003cbr\u003e 03. Hands Up \u003cbr\u003e 04. New Abuse \u003cbr\u003e 05. All We Know \u003cbr\u003e 06. Ends Pt. I \u003cbr\u003e 07. Guthrie \u003cbr\u003e 08. Away \u003cbr\u003e 09. Teeth \u003cbr\u003e 10. Ends Pt. II \u003cbr\u003e 11. 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They also released a two song EP \"Spires Burn \/ Release\" in 2012 showing musical growth in a more refined vision of the band's sound.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith \"Dead Roots Stirring\" and \"Spires Burn\" Elder took a surprising turn away from their more traditional stoner rock roots, incorporating uplifting melodies and progressive song structures into their lengthy epics. The release of 2011's \"Dead Roots Stirring\" sent ripples through the underground and established the band as one of the genre's most interesting and experimental. Between lengthy hiatuses where DiSalvo resided in Germany, Elder continued writing, taking in inspiration from travels and experiences in non-musical territory. 2012 saw the release of Spires Burn\/Release EP, the next chapter in the group's progressing mindstate. 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Through many changes in personnel, the band has persisted almost ten years, touring the nation alongside other standouts of the DIY circuit like Capsule and Khann.\u003c\/p\u003e\n\u003cp\u003eThe All Barren lineup consists of vocalist Chris Tzompanakis _ former frontman of Skycamefalling _ founder\/guitarist Anthony Fusco, bassist Peter Gerontakos, and drummer Victor Mouradian.\u003c\/p\u003e\n\u003cp\u003eAll Barren is the sound of a band plowing forward after years of internal and external turmoil: lineup changes, lawsuits, and, most recently, the complete destruction of two band members' homes in Hurricane Sandy. Not unlike the relentless advance of that hurricane, All Barren is a campaign of mid-paced devastation that blankets the senses and dwarfs the will. 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The result is songs guaranteed to bring you the fuck down.î Recorded during a time of personal turmoil for several of the members, the two songs on this release channel that disquiet. Guitarist Benjamin Tate says, ñAlmost everyone was in a bad mood and feeding off of each other. Writing was way more of a struggle than it usually is and I think everyone came away from the day unhappy with the songsî but upon hearing them ñunlikeƒalmost any other recording I have ever done, I had almost no feedback on them. The songs sound huge and warm and even the songwriting seems better than I remember it being. I left the session feeling defeated and now I would say this will be among my favorite recordings to come out this year.î\n\u003cp\u003eñWhen The Barn Caves Inî consists of the titular track and ñAlanî on the B-side. 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Housed in a beautiful gatefold cover.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: \u003cbr\u003e 01. Extrospection\u003cbr\u003e 02. Sehnsucht\u003cbr\u003e 03. San Andrea\u003cbr\u003e 04. Ghost\u003cbr\u003e 05. Entropia\u003cbr\u003e 06. Nemesis\u003cbr\u003e 07. Vague ö l'äme\u003cbr\u003e 08. 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Camera ShyÍs first exhale of melancholy bedroom pop arrived properly on last yearÍs Jack-O-Lantern EP, and now, Bassett and Morte refine their soft start with their eponymous debut full-length for Run For Cover Records. For this effort, the pair reunited in BassettÍs adopted hometown of Philadelphia alongside producer Arthur Rizk where they glossed over stripped, jangled guitars, high-hats and brass with rich, shimmering results. On ñColors Radiateî and ñNew Something,î MorteÍs vocals swirl clandestinely in the sun around BassettÍs clean-cut strumming with upbeat romantic optimism. ñGlowingî and ñSeemingly Illî alternatively tug slowly at dreams of longing into a starlit sky. The duality of Camera Shy ultimately rests its lens between slumbering look-backs and forward momentum. Balancing todayÍs white noise with something less complex can render equally stunning results, and for Bassett and Morte, Camera Shy is that desire.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: \u003cbr\u003e 01. Remember \u003cbr\u003e 02. Your Only One \u003cbr\u003e 03. Colors Radiate \u003cbr\u003e 04. Glowing \u003cbr\u003e 05. New Something \u003cbr\u003e 06. Underwater Days \u003cbr\u003e 07. Take Your Time \u003cbr\u003e 08. 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These 18 tracks have been remastered to provide the best sound quality possible while still retaining the noisy, lo-fi sound that is an integral part of the teen suicideÍs essence. 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Now, Run For Cover Records will be reissuing my own hell, with remastered audio, expanded artwork and 8 never-before-issued bonus tracks. Across the album’s 10 songs, the band displays a knack for different sounds and styles. Intimate, keyboard driven tracks like ‘cop graveyard’ and ‘grim reaper’ sit beside more energetic full-band outings like ‘dead bird skeleton and ‘give me back to the sky’, the latter even adding an evocative viola, piano and choral arrangement to it’s chaotic center. It’s to the band’s credit that their more outré moments feel necessary, not distracting. What becomes clear upon listening to ‘my own hell’ is that beneath the dreamy haze \u0026amp; noisy apathy of teen suicide’s recordings exist ernest, extremely well-written pop songs that reflect and express the uncertainty and desperation of reality.\n\u003cp\u003eTrack Listing: \u003cbr\u003e 01. 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Anticipating which direction he will be growing next as an artist, however, is not as easy to pinpoint. After self-releasing a number of brief albums recorded at different points in time throughout scattered locations, the multi-instrumentalist turned the ear of the underground in his direction last year with the release of Brown Horse, a split cassette on Orchid Tapes alongside R.L. Kelly.\u003c\/p\u003e\n\u003cp\u003eThis fall, he joins Run for Cover Records for the release of his debut full-length, Looking In. The album, recorded in solitude at Queen Mary's Lighthouse in Chicago, encompasses all corners of Radcliffe's songwriting style, leaving no part of his sonic map uncovered. Guitars and carefully outlined drums accentuate his pop craft on tracks such as ñMiaî and ñYankee.î Traditional songwriting methods come apart naturally elsewhere through tumbling Rhodes piano, modified electronics, and brass in disarray. The one instrument that stitches the album's atypical patchwork together is RadcliffeÍs voice, allowing listeners to draw up their own impressions of his often equivocal work.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: \u003cbr\u003e 01. Mermaid \u003cbr\u003e 02. Mia \u003cbr\u003e 03. Folded \u003cbr\u003e 04. Relief \u003cbr\u003e 05. Parent \u003cbr\u003e 06. Looking In \u003cbr\u003e 07. Yankee \u003cbr\u003e 08. WorldÍs Disguise (CD\/CS\/Digital Only) \u003cbr\u003e 09. Otherside \u003cbr\u003e 10. Softspot \u003cbr\u003e 11. Salesman \u003cbr\u003e 12. E \u003cbr\u003e 13. 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Aaron Weiss has again produced a work of genius with his nonpareil poetic voice, rivaled only by the soundtrack the rest of his band has forced him to compete against through these eleven songs. The end result is a beautiful fusion not unlike the music found on the band’s most revered releases. The guitar work is precise: delicately soft and tender during lulling moments like the opener “Pale Horse” and fiercely riff-centric on the Brother, Sister reminiscent “Mexican War Streets.” Complimenting it is the constant combination of the catchiest bass lines you’ve ever heard and tasteful, steady drum grooves that harken back to Catch For Us the Foxes, the band’s revered second album. Epic in scope, Pale Horses is an emotional journey as captivating as any of their classic releases - referential to the best parts of their catalog with a distinguished vitality, captured in the band’s signature hauntingly iconic way.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: \u003cbr\u003e 01. 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St. Charles and Greaves were putting their hardcore band to rest, enlisting Britty Drake (co-lyricist\/vocals\/guitar) and Brandan Pierce (bass) to round out Pity Sex's line-up. Now, the band is using the foundation of 2013's celebrated Feast of Love as the framework for something bigger, stronger, and altogether more monumental. Coming off of tours with Ceremony, Eskimeaux, and Colleen Green—including a run in Australia—the band dove into the studio with Feast of Love producer Will Yip to harness that momentum into an album to showcase Pity Sex's growth. And if White Hot Moon wears its ambition on its sleeve, that's by design: the band looked to wide-screen albums by Yo La Tengo and Sonic Youth for inspiration in finding a bigger sound. That shows: Drake and Greaves spin huge webs of sound, anchored in shoegaze but branching off in a dozen directions, from fuzzed-out power-pop (“Bonhomie”) to shimmering balladry (“Dandelion”) and back again, while St. Charles and Pierce lock into step subtly counterintuitive rhythms and floor-shaking low-end. \u003cbr\u003e\u003cbr\u003eThat inclusive attitude toward songwriting fuels Pity Sex's creative fires. Drake’s more intimate and confessional songs complement St. Charles’s imagistic lyrics, and vice versa. This confluence enriches White Hot Moon and encourages compositional complexity and a shared affinity for pop solidity in equal measure. The record features some of the most directly collaborative songwriting in the band's career, and that spirit has taken them in exciting directions—often several at once, dipping into different stylistic touchstones while maintaining a constant, grounding sense of emotion throughout. As St. Charles explains, “We thought a lot about pop conventions and how they work, and we're purposefully playing around with that.” The result of this playful but dedicated approach to their craft: wherever you visit White Hot Moon, you'll come away refreshed, revitalized, and ready for Pity Sex to guide you along the rest of the trip.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: \u003cbr\u003e 01. A Satisfactory World For Reasonable People \u003cbr\u003e 02. Burden You \u003cbr\u003e 03. Bonhomie \u003cbr\u003e 04. September \u003cbr\u003e 05. What Might Soothe You \u003cbr\u003e 06. Plum \u003cbr\u003e 07. Nothing Rips Through Me \u003cbr\u003e 08. Orange And Red \u003cbr\u003e 09. Dandelion \u003cbr\u003e 10. White Hot Moon \u003cbr\u003e 11. Pin A Star \u003cbr\u003e 12. 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Updating rather than refuting all of the past themes and styles of their revered first LP “i will be my own hell because there is a devil inside my body” and numerous EPs, Big Joyous Celebration shifts between punk, noise, country, house \u0026amp; a myriad of other electric dance genres to create something as messy, sprawling, and captivating as its mouthful of a title. Spread over twenty six tracks, there is plenty that Teen Suicide’s swansong has to say for itself in the band’s distinct, captivating, and refreshingly enjoyable voice.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: \u003cbr\u003e 01. Living Proof \u003cbr\u003e 02. The Big Joyous Celebration \u003cbr\u003e 03. Alex \u003cbr\u003e 04. Violets \u003cbr\u003e 05. Obvious Love \u003cbr\u003e 06. ItÍs Just a Pop Song \u003cbr\u003e 07. V.I.P. \u003cbr\u003e 08. Wild Thing Runs Free \u003cbr\u003e 09. Bright Blue Pickup Truck \u003cbr\u003e 10. Big Mistake \u003cbr\u003e 11. 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The range of songs and emotions on Shame are notable: tracks like “Heaven” and “Camera Lens II” are indie-pop pleasures brimming with nostalgic remembrance. One of the album’s brightest moments comes on “Nature,” a brave song lyrically and vocally, as Lotz sings unaccompanied over a singular drum beat, proclaiming fearlessly, “I want to be part of the nature you were born from.” The most rewarding part of listening to Shame is realizing that as Kiley Lotz looks inwards and honestly reveals what she sees through her songs, she shows everyone else that the anxieties, doubts and longings that come with the territory of love are universally felt.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: \u003cbr\u003e 01. Camera Lens \u003cbr\u003e 02. Tommy \u003cbr\u003e 03. Heaven \u003cbr\u003e 04. Chandelier Thief \u003cbr\u003e 05. Feel \u003cbr\u003e 06. Sooner \u003cbr\u003e 07. The Fire \u003cbr\u003e 08. Shame \u003cbr\u003e 09. Nature \u003cbr\u003e 10. Camera Lens II \u003cbr\u003e 11. 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Reissued and expanded, the releaseÍs working title was ñHolo Pleasures II,î but in reality, the California DreaminÍ EP works as a companion to Holo Pleasures rather than a sequel. Taken from the same sessions as Holo Pleasures, the formerly unreleased 6 song EP ventures into different territory while maintaining the same dreamlike dizziness and warmth of itÍs partner EP. Airy synthesizers, distant drums and cooing vocoders provide an intricate and fascinating backbone to the groovy, trance-inducing songs that are seen by the band as a bridge between the fuzzy indie pop of Holo Pleasures and the more laid-back grooves of their 2015 LP, new alhambra. The double EP provides a unique experience to both long-time and first-time listeners of Elvis Depressedly that a standard reissue of older material wouldnÍt achieve.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: \u003cbr\u003e 01. Okay \u003cbr\u003e 02. Pepsi\/Coke Suicide \u003cbr\u003e 03. Inside You \u003cbr\u003e 04. 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Despite years spent apart, it would seem Basement's musical conversation has been one that has lingered even when after it was interrupted too soon by their premature \u0026amp; luckily temporary break, - and as their first true cohesive document, Promise Everything is only the beginning of what Basement has to say.\n\u003cp\u003e\u003cbr\u003eTrack Listing: \u003cbr\u003e 01. Brother's Keeper \u003cbr\u003e 02. Hanging Around \u003cbr\u003e 03. Lose Your Grip \u003cbr\u003e 04. Aquasun \u003cbr\u003e 05. Submission \u003cbr\u003e 06. Oversized \u003cbr\u003e 07. Blinded Bye \u003cbr\u003e 08. For You The Moon \u003cbr\u003e 09. Promise Everything \u003cbr\u003e 10. 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Thematically, the record is a time-capsule for the two years since the release of their Run For Cover debut You’re Gonna Miss It All, curated in two parts by the band’s guitarists and main songwriters, Jacob Ewald and Brendan Lukens. Splitting the record into two halves, both take the helm to curate the sonic journey into territory both familiar and foreign in the band’s discography. Whether it be on the homesick tour ballad “Mass” or the heartbreaking, question-filled lyrics on “Apple Cider, I Don’t Mind,” it becomes clear that Holy Ghost is a certainly transformative record for a band maturing into greatness.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: \u003cbr\u003e01. Holy Ghost \u003cbr\u003e 02. Wedding Singer \u003cbr\u003e 03. Note To Self \u003cbr\u003e 04. Mass \u003cbr\u003e 05. Everyday \u003cbr\u003e 06. Hiding \u003cbr\u003e 07. Coding These To Lukens \u003cbr\u003e 08. Breathing in Stereo \u003cbr\u003e 09. Apple Cider, I DonÍt Mind \u003cbr\u003e 10. 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Paramount is impossible to characterize in the usual terms of A-meets-B direct influence: maybe you hear Burn, maybe you hear Outburst or Beyond or Supertouch, but no combination of such references conveys the subtlety of the songwriting, the precision of the musicianship, or the ferocity of Jeremy Stith's vocal performance, by way of which one encounters the best written and most cleverly phrased hardcore lyrics in recent memory. Paramount is, as they say in the groves of academe, sui generis. And yet to apprehend the lyric sheet's overt intertextuality (no less than Shakespeare, Don Delillo and Praise's Andy Norton, among others, are given co-writing credit), to hear the multiplicity of guest vocalists, to spend the 12 minutes required to read the voluminous thanks list, all this is to know, as the band itself surely does, that Paramount belongs no more to the individuals who recorded it than to the entire roiling, loving, terrifying, inspiring, hateful, romantic, literate, ignorant, fantastically dynamic culture that gave rise to it.\u003c\/p\u003e\n\u003cp\u003eTrack Listing: \u003cbr\u003e 01. Danse \u003cbr\u003e 02. Thin Line \u003cbr\u003e 03. Novo \u003cbr\u003e 04. Damage Is Done \u003cbr\u003e 05. In Extremis \u003cbr\u003e 06. The Fury \u003cbr\u003e 07. Death Yellows Life and Reason \u003cbr\u003e 08. Leviathan \u003cbr\u003e 09. Duality of Man \u003cbr\u003e 10. 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Luckily, the van was recovered a week later, but without all of the bandÍs possessions, including pieces of their album-in-progress. Down but not out, the band soldiered on, completing the end of the tour despite the setbacks and more van troubles along the way.\u003c\/p\u003e\n\u003cp\u003eThese challenges were not in vain however, as the band used the experiences to shape the rest of InfluenceÍs recording, and their resolve to see their vision become reality was only strengthened. This tenacity along with their pummeling sound caught the attention of 6131 Records and a partnership was struck to finally unveil Influence to the world. The albumÍs eleven tracks are a formidable collection of vicious and distinct hardcore, breathing new life into the genreÍs tropes. From massive floor-tom-driven stompers to brooding build-ups, each track has a unique identity, drawn together by KnealeÍs vitriolic lyrics. 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