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DW86
Ressurection "I Am Not: The Discography"
Format: CD, 2XLP, Digital



Within months the sound and ideologies that dominated the hardcore scene from the mid 80's into early 1990 had literally collapsed as if an entire scene had "grown up" and gave in all at once. Looking back it should have come as no surprise. A scene that was predicated on being an individual had become as pathetically uniform as the world it claimed to disdain. It died because it no longer had a pulse.

In early 1991 a few friends decided that sound, feeling, and emotion was more important than mere memories, and that ideals didn't need to be confined to the sounds of the past. There were no goals, no strategies, and no need to over think what could be. With that, a band was formed, and Ressurection set out to play as loud and as often as possible.

Musical influences? Black Flag, Bl’ast, Absolution, whatever. A message? At times straight edge, at times political and at times just hurt kids. Simply put the idea was to say what you feel and feel what you say, no limitation. Ressurection was noise and feeling.

Between 1991 and 1994 Ressurection played well over a hundred shows around the US while releasing 2 EP's, an LP, and a few tracks on various compilations. The beauty of Ressurection? The sole focus on the energy of the live setting. The downside? That same sole focus on the energy of the live setting. When recording the "I Refuse" LP the band was in heavy debt from touring and used all of the recording budget to pay off their debts leaving $200 to record, mix, and master the record, and of course, buy something to eat during this process. The result was not pretty. Over the years this remained a regret shared by the members of the band.

In 2007, the idea of a discography was brought up to the fine people at Deathwish. Over a four year period, the recording reels were dusted off and Kurt Ballou completed a remix at Godcity Studios. Soon after, additional tracks were collected and the result is the 21 track "I Am Not: The Discography", containing remixes of all three records, the band's first recorded song, as well as their classic live set from KXLU in its entirety.

First Press:
318 - Red
733 - White
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DW123
Living Eyes "Starve For Agony"
Format: 7"EP, Digital



Deathwish are proud to announce the debut 7"EP from Living Eyes.

Four losers make good after multiple stints in the septic tank that is modern U.S. punk/hardcore. Members of Ceremony, Look Back and Laugh, Punch, Talk is Poison, Skin Like Iron, Loma Prieta, Rely, Dead and Gone, California Love, etc. Nods to early North American primitive hardcore and UK punk stone carvings. Oakland.

First Press:
130 - Test Presses
100 - Clear w/ Red Splatter
926 - Clear
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DWLIVE08
Deafheaven "DW Live Series 08: Live at The Blacktop"
Format: Digital

The Deathwish Live Series is a series of FREE live recordings of Deathwish affiliated artists. These recordings are from a variety of sources: Radio shows, official and non-official live recordings, bootlegs, and more.

We are giving these recordings away as a thank you to the listeners who continue to support independent music. If you dig what you hear, please support these artists by seeing them live and by purchasing their releases and apparel in the DW Estore @ www.deathwishinc.com.

On January 15th, 2011, Deafheaven played a stunning set on a loading dock turned venue called "The Blacktop" in Bell Gardens, California. Also on the show was Low Places, Joyce Manor, and label mates Touche Amore. Deafheaven's performance that night left attendees in awe, serving as the flash point for a whirlwind year for the genre bending band. This is a recording of their entire set from that show.

Recorded by Chris Avis
Photo by Reid Haithcock

Also Available:
Deafheaven "Roads to Judah" CD/LP/Digital

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DW122
Oathbreaker "Mælstrøm"
Format: CD, LP, Digital



Recorded in Belgium by Michael Neyt and Lander Cluyse, mixed by Kurt Ballou (Converge), and mastered by Alan Douches (Converge, The Dillinger Escape Plan), "Mælstrøm" is a swirling mix of Metal, Punk, and Hardcore destruction.

Similarities in Oathbreaker's ferocity to bands like Cursed, Rise And Fall, and From Ashes Rise are apparent, but merely a flash point for them. Opener "Origin" strikes hard of the gate, crashing down with swirling guitars, thunderous drumming, and vicious vocal stylings. From there, Oathbreaker push the limits of brutal with "Hierophant", a crushing mid paced masterpiece infected with a "Wolverine Blues" spirit. While songs "Thoth" and "Glimpse Of The Unseen" carry a Doom Metal like candor that would even make Tom G. Warrior proud. Song after song, the chaos ensues within the Oathbreaker vortex as they explore all shades of heavy. Then, as suddenly as their rage appeared on the horizon, it recedes to reveal the album's mesmerizing title track "Mælstrøm". A dark acoustic passage that shows Oathbreaker's ability to not only unleash a fury, but control the musical super storm within.

Without question, Oathbreaker's "Mælstrøm" is one of the best debut albums we've ever heard, and we trust you'll feel the same way.

First Press:
300 - White vinyl
700 - Brown vinyl

Second Press:
1022 - Tan / Bronze mix
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CONCULT02
Converge / Dropdead "Split"
Format: 7"EP, Digital

Self released by Converge and Dropdead.
Exclusively Distributed by Deathwish Direct and The Armageddon Label.

A pairing of two legendary bands celebrating their joint twenty year history within the Punk/Hardcore genre.

Both songs were recorded at Kurt Ballou's God City Studios in early 2011, and mastered by John Golden (Neurosis, Melvins, etc). "Runaway" from Converge is an instant classic for the band, unrelenting in its speed and emotional ferocity from beginning to end. While Dropdead's "Paths of Glory" is an unforgettable political punk/hardcore anthem, that proves that the years behind the band have only strengthened their hold on the battlefront of the true underground.

First Press:
10 - Test Presses
150 - Black w/ Random Stripe vinyl (Converge has these, up to the band if they sell them)
150 - Clear w/ Random colors vinyl (Dropdead has these, up to the band if they sell them)
2000 - Red & Black Swirl vinyl (Deathwish Exclusive)
2000 - Green & Black Swirl vinyl (Armageddon Exclusive)
2700 - "Vinyl Bong" Random colors of vinyl (Available from the bands only)

Second Press:
2000 - Vinyl Bong
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DW121
Touché Amoré "Parting the Sea Between Brightness and Me"
Format: CD, LP, Deluxe Edition LP, Digital



Deathwish are proud to announce the release of Touche Amore's latest album, "Parting the Sea Between Brightness and Me".

In February of 2011, Touche Amore piled into their beat up tour van in an Los Angeles suburb and set off on a twenty six hour journey to Eudora, Kansas. With a population of just over four thousand people, Eudora may be a peculiar place for a punk band to go, but nestled in its rural isolation is acclaimed engineer Ed Rose and his Black Lodge Studios (formerly Redhouse Recording Studio). There under Rose's attentive ears, Touche Amore poured their patchwork soul into their latest work, "Parting the Sea Between Brightness and Me".

In "Parting the Sea Between Brightness and Me", Touche Amore's creative formula is driven by emotional affect, not contemporary studio effects. In the purest form possible, raw shouted vocals and clean manic guitars fight for volume over roomy bass and percussion. Creating a sound that is shockingly simple as it is emotionally engaging. The serene and fragile opening notes of "Tilde" serve as the album's introductory serenade before Touche Amore pound and jangle into the hook-laden song. And seconds later, when vocalist/lyricist Jeremy Bolm screams "...I'm parting the sea between brightness and me...", a tone of desperation sets in that resonates throughout the duration of the album. His straight forward cries convincingly tell his own personal story. To some, this lyrical writing could read as a diary based purely in self deprecation, but his words cut and pull from a much deeper place in the heart. Serving as an open window into his constant soul searching amid life's constant trials and tribulations. Songs like "Home Away From Here" and "Sesame" are great examples of this, infectious in their sound and moving lyrical spirit. While "Method Act" and the emotional "Condolences" show the band experimenting with epic leanings while maintaining their beloved trademark character. Without a doubt, Touche Amore's "Parting the Sea Between Brightness and Me" is a stunning full length achievement on any scale. Proving that there is true beauty within the concept of artistic simplicity.

Deluxe Edition:
961 - 180 gram black vinyl

Standard Edition First Press:
100 - Clear
300 - Opaque Green
700 - Opaque Blue
2000 - White

Second Press:
209 - Clear Green
2942 - Opaque Red

Third Press:
10,179 - Black
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DW102
Trap Them "Seance Prime: The Complete Recordings"
Format: 12"LP, Digital

"Seance Prime: The Complete Recordings" 12"LP combines all of their pre "Seizures In Barren Praise" Deathwish material (the "Seance Prime" CDEP and material from their split 7"EP with Extreme Noise Terror) into one brutal 12"LP release. All of the material has been remastered by guitarist Brian Izzi and the release also features reworked packaging from designer Ryan Patterson (Coliseum, etc.)

The "Seance Prime" sessions were recorded by longtime Trap Them engineer Kurt Ballou (Converge) at his now infamous Godcity Studios. This release in its original form put Trap Them on the map with listeners and critics worldwide as one of the most interesting heavy bands out there today. Songs like "Day 13: The Protest Hour" and "Day 14: Pulse Mavens" are a tornado of D-Beat hooks, frantic bursts of speed, and earth shaking dirges. Erasing the line between metal and punk with every unpredictable twist and turn. All of it dizzying and awe inducing, already deserving to stand among the elite of the extreme metal and hardcore genre.

First Press:
300 - Clear
700 - White
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